In a way, synthesis is the most basic form of sound, and KMRU started to wonder not just how he could harness these sounds but how he might be able to more dynamically combine them with field recordings. Simultaneously, he'd begun to dive more wholeheartedly into the world of synthesis. But the more he studied and the more he examined his practice, the more KMRU began to wonder what the purpose of these recordings were, and what bearing they might actually have on his self-expression. The Kenyan composer and sound artist is best known for his field recording work, and as he traveled across Europe and the wider world for regular live performances, he made a point to snapshot each city. The inaugural release on KMRU's own fledgling OFNOT imprint, 'Dissolution Grip' is an ambitious project that emerged from his studies at Berlin's prestigious UDK.
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